Music Research Booklist #1
I have compiled a booklist that is truly comprehensive for the study of music - it includes categories like music cognition & psychology, anthropology of music, world music, globalization. I will continue to add to this list.
Bibliography
Music Aesthetics:
Carl Dahlhaus, “Historical Starting Points” from Esthetics of Music .
Peter le Huray and James Day, “The Aesthetics of Romanticism” from their preface to Music and Aesthetics .
John Warrack, “Romanticism” from New Grove Dictionary of Music and Musicians .
Robert Schumann, “Aphorisms” from Music in the Western World
Lloyd Kaplan, “Igor Stravinsky” and “Retro-Classicism: Stravinsky and Milhaud” from Twentieth-Century Music . An Introduction .
Igor Stravinsky, “The Phenomenon of Music” from The Poetics of Music
Paul Griffiths, “Minimal Music” from Modern Music . The Avant-Garde Since 1945 .
Steven Reich, “Music as Gradual Process” and “Notes on Compositions 1965 - 1973” from Writings about Music .
Music Psychology:
Brown, Royal S. Overtones & Undertones. LA: UCLA, 1994.
Kendall, R. & Carterette, E. Cognitive Ecology. Orlando: Academic Press, 1996.
Meyer, Leonard B. Emotion and Meaning in Music. Chicago: U of Chicago P., 1956
Dowling, W.J. and Harwood, D.L. Music Cognition. Orlando: Academic Press, 1986
Modernity & Music:
Rice, Timothy. 2003. “Time, Space, and Metaphor in Musical
Experience and Ethnography.” Ethnomusicology 47(2):
131-179.
Gilroy, Paul. 1993. The Black Atlantic: Modernity and Double
Consciousness. Cambridge, MA: Harvard University Press.
Erlmann, Veit. 1999. Music, modernity, and the global
imagination: South Africa and the West. New York: Oxford
University Press.
Lipsitz, George. 1994. Dangerous crossroads: popular music,
postmodernism, and the poetics of place. London: Verso.
Meintjes, Louise. 2003. Sound of Africa!: making music Zulu
in a South African studio. Durham, NC: Duke University Press.
Slobin, Mark. 1993. Subcultural Sounds: Micromusics of the
West. Hanover, NH: University Press of New England.
Taylor, Timothy D. 1997. Global Pop: World music, World
markets. New York: Routledge.
Turino, Thomas. 2000. Nationalist, Cosmopolitans, and Popular
Music in Zimbabwe. Chicago: University of Chicago Press.
Waxer, Lise. 2002. The City of Musical Memory: Salsa, Record
Groove and Popular Culture in Cali, Columbia. Middletown,
CT: Wesleyan University Press.
Globalization/Modernity/Postmodernity:
Appadurai, Arjun. 1996. Modernity at Large: Cultural
Dimensions of Globalization. Minneapolis, Minn., University of
Minnesota Press. Ch. 1: “Here and Now”: 3-23; Ch. 2:
“Disjuncture and difference in the Global Cultural economy”:
27-47; Ch. 3: “Global Ethnoscapes: Notes and Queries for a
transnational anthropology”: 48-64; Chapter 9: “The Production
of Locality”: 178-199.
Appadurai, Arjun. 2000. “Grassroots Globalization and the
Research Imagination,” Public Culture 12(1): 1-19.
Clifford, James. 1997. Routes : Travel and Translation in the
Late Twentieth Century. Cambridge, MA: Harvard University
Press. Ch. 1: “Traveling Cultures,” pp. 1-46.
Jameson, Fredric. 1991. Postmodernism, or, The cultural logic
of late capitalism. Durham, NC: Duke University Press.
Introduction, ix-xxii; Ch. 1, “The Cultural Logic of Late
Capitalism”: 1-54; Ch. 2, “Theories of the Postmodern”: 55-66.
Marcus, George E. 1998. Ethnography through thick and thin.
Princeton, NJ: Princeton University Press. Introduction,
“Anthropology on the Move”: 3-29; Ch. 3, “Ethnography in/of
the World System”: 79-104; Ch. 8, “On Ideologies of
Reflexivity in Contemporary Efforts to Remake the Human
Sciences”: 181-202.
Roseman, Marina. 2000. “Shifting Landscapes: Musical
Mediations of Modernity in the Malaysian Rainforest.”
Yearbook for Traditional Music 32: 31-65.
Sassen, Saskia. 1998. Globalization and its discontents: essays
on the new mobility of people and money. New York: New
Press. Ch. 5: “Toward a Feminist Analytics of the Global
Economy”: 81-109; Ch. 9, “Electronic Space and Power”:
177-194; Ch. 10, “The State and the Global City: Notes toward
a Conception of Place-Centered Governance”: 195-218.
Sassen, Saskia. 2000. “Spatialities and Temporalities of the
Global: Elements for Theorization.” Public Culture 12(1):
215-232.
Self and Subject:
Giddens, Anthony. 1991. Modernity and Self-identity: Self and
Society in the Late Modern Age. Stanford, CA: Stanford
University Press. Introduction: 1-9; Ch. 1: “The contours of
high modernity”: 10-34; Ch. 2: “The self: ontological security
and existential anxiety”: 35-69; Ch. 3: “The trajectory of the
self”: 70-108.
Ochs, Elinor and Lisa Capps. 1996. “Narrating the Self.”
Annual Review of Anthropology 25: 19-43.
Stock, Jonathan P.J. 2001. “Toward an Ethnomusicology of the
Individual, or Biographical Writing in Ethnomusicology.” The
World of Music 43(1): 5-19.
Wachsmann, Klaus. 1982. “The Changeability of Musical
Experience.” Ethnomusicology 26(2): 197-215.
Cohen, Anthony P. 1994 Self consciousness: an alternative
anthropology of identity. London: Routledge. Ch. 1, “ The
Neglected Self: Anthropological Traditions”: 1-22; Ch. 7:
“Individualism, Individuality, Selfhood”: 168-192.
Rose, Nikolas. “Assembing the Modern Self.” In Roy Porter,
ed. Rewriting the Self: Histories from the Renaissance to the
Present. New York: Routledge.
World Music:
Erlmann, Veit. 1993. “The Politics and Aesthetics of
Transnational Musics.” The World of Music 35(2): 3-15.
Erlman, Veit. 1994. "’Africa Civilized, Africa Uncivilized’:
Local Culture, World System and South Africa." South African
Journal of Musicology 14:1-14.
Feld, Steven. 1995. “From Schizophonia to Schismogenesis:
The Discourses and Practices of World Music and World Beat.”
In George E. Marcus and Fred R. Myers, eds. The Traffic in
Culture: Refiguring Arts and Anthropology. Berkeley:
University of California Press, pp. 96-126.
Feld, Steven. 2000. “A Sweet Lullaby for World Music.” Public
Culture 12(1): 145-171.
Guilbault, Jocelyne. 1997. “Interpreting World Music: A
Challenge in Theory and Practice.” Popular Music 16(1): 31-44.
Langois, Tony. 1996. "The Local and the Global in North
African Popular Music." Popular Music 15(3):259-273.
Meintjes, Louise. 1990. “Paul Simon’s Graceland, South Africa,
and the Mediation of Musical Meaning.” Ethnomusicology
34(1): 37-73.
Monson, Ingrid. 1999. “Riffs, Repetition, and Theories of
Globalization.” Ethnomusicology 43(1): 31-65.
Time:
Munn, Nancy D. 1992. “The Cultural Anthropology of Time: A
Critical Essay.” Annual Review of Anthropology 21: 93-123.
Huyssen, Andreas. 2000. “Present Pasts: Media, Politics,
Amnesia.” Public Culture 12(1): 21-38.
Location/space/place:
Soja, Edward W. 1989. Postmodern Geographies: The
Reassertion of Space in Critical Social Theory. London: Verso.
Preface and Postscript”: 1-8; Ch. 1,
“History:Geography:Modernity”: 9-22; Ch. 5, “Reassertions:
Towards a spatialized ontology”: 119-137; Ch. 6,
“Spatializations: a critique of the Giddensian version”: 139-156.
Anthropology of Music:
John Blacking, How Musical Is Man?. Seattle: University of
Washington Press. 1973
Nicholas Dirks, Geoff Eley, and Sherry B. Ortner (editors)
Culture/Power/History: A Reader in Contemporary Social
Theory. Princeton: Princeton University Press. 1994
Keila Diehl, Echoes from Dharamsala, Music in the Life of a
Tibetan Refugee Community. Berkeley and Los Angeles:
University of California Press 2002.
Alan Merriam, The Anthropology of Music. Evanston:
Northwestern University Press. 1964.
Robert A. Nisbet, The Sociological Tradition. New York: Basic
Books. 1966
Karl Marx, The Eighteenth Brummaire of Louis Bonaparte, first five pages with special attention to the first paragraphs and The Communist Manifesto Part I (Bourgeois and Proletarians) with attention to the footnotes. Any translation of these is OK.
Emile Durkheim, The Elementary Forms of the Religious Life
(any edition), Introduction by Durkheim; Book 1 chapter 1;
Book 2 chapters 1, 5, 6, 7.
Marcel Mauss, The Gift, any edition, chapters 1 and 4 (first and last).
Bronislaw Malinowski, Argonauts of the Western Pacific,
“Introduction” (pp. 1-24 in my edition) and George Stocking, “The Ethnographer’s Magic: Fieldwork in British Anthropology from Tylor to Malinowski.” IN Stocking, George (ed.)
Observers Observed: Essays on Ethnographic Fieldwork.
University of Wisconsin Press, 1983 pp. 70-121
Franz Boas “The Limitations of the Comparative Method of
Anthropology (1896), and “The Methods of Ethnology.” IN
Boas, Franz, Race, Language and Culture, Pp. 270-294 and
George Stocking, “The Scientific Reaction Against Cultural
Anthropology, 1917-1920” IN Stocking, George, Race, Culture and Evolution, Free Press. Pp. 270-307.
Max Weber, The Protestant Ethic and the Spirit
Ethnography of Music:
Waterman, Christopher Alan. 1990. Juju:A Social History and Ethnography of an African Popular Music. Chicago: University of Chicago Press.
Turino, Thomas. 1993. Moving Away from Silence: Music of the Peruvian Altiplano and the Experience of Urban Migration. Chicago: University of Chicago Press.
Hagedorn, Katherine J. 2001. Divine Utterance: The Performance of Afro-Cuban Santer’a. Washington, D.C.: Smithsonian Institution Press
Reily, Suzel. 2002. Voices of the Magi: Enchanted Journeys in Southeast Brazil. Chicago: University of Chicago Press.
List of Musical Ethnographies, 1978-2002
Agawu, Kofi. 1995. African Rhythm: A Northern Ewe
Perspective. London: Cambridge University Press.
Askew, Kelly. 2002. Performing the Nation: Swahili Music and
Cultural Politics in Tanzania. Chicago: University of Chicago
Press.
Austerlitz, Paul. 1996. Merengue: Dominican Music and
Dominican Identity. Philadelphia, PA: Temple University Press.
Averill, Gage. 1997. A Day for the Hunter, a Day or the Prey:
Popular Music and Power in Haiti. Chicago: University of
Chicago Press.
Berliner, Paul F. 1978, 1991. The Soul of Mbira: Music and
Traditions of the Shona People of Zimbabwe. Chicago:
University of Chicago Press. ML350 .B47
Berliner, Paul F. 1994. Thinking in Jazz: The Infinite Art of
Improvisation. Chicago: University of Chicago Press.
Berrian, Brenda F. 2000. Awakening Spaces: French Caribbean
Popular Songs, Music, and Culture. Chicago: University of
Chicago Press.
Besmer, Fremont. 1983. Horses, Musicians, and Gods: The
Hausa Cult of Possession-Trance. South Hadley, MA: Bergin
and Garvey. BL2480.H3 B47 1983
Chernoff, John Miller. 1979. African Rhythm and African
Sensibility: Aesthetics and Social Action in African Musical
Idioms. Chicago: University of Chicago Press. ML3760 .C48
Charry, Eric. 2000. Mande Music: Traditional and Modern
Music of the Maninka and Mandinka of Western Africa.
Chicago: University of Chicago Press.
Dunn, Christopher. 2001. Brutality Garden: Tropicalia and the
Emergence of a Brazilian Counterculture. [place]: North
Carolina University Press
Erlmann, Veit, 1991. African Stars: Studies in Black South
African Performance. Chicago: University of Chicago Press.
Fikentscher, Kai. 2000. “You Better Work!”: Underground
Dance Music in New York City. Middletown, CT: Wesleyan
University Press.
Friedson, Steven M. 1996. Dancing Prophets: Musical
Experience in Tumbuka Healing. Chicago: University of
Chicago Press. ML350 .F75 1996
Groemer, Gerald and Chikuzan Jiden Tsugaru-Jamisen
hitoritabi Takahashi. 1999. The Spirit of Tsugaru: Blind
Musicians, Tsugaru-Jamisen, and the Folk Music of Northern
Japan. Detroit: Harmonie Park Press. ML419.T15 G76 1999
Keyes, Cheryl L. 2002. Rap Music and Street Consciousness.
Urbana: University of Illinois Press.
Levin, Theodore. 1996. The Hundred Thousand Fools of God:
Musical Travels in Central Asia (and Queens, New York).
Bloomington: Indiana University Press.
Lewis, J. Lowell. 1992. Ring of Liberation: Deceptive
Discourse in Brazilian Capoeira. Chicago: University of
Chicago Press.
Lornell, Kip. 1988. Happy in the Service of the Lord:
Afro-American Gospel Quartets in Memphis. Urbana:
University of Illinois Press.
Loza, Steven. 1999. Tito Puente and the Making of Latin
Music. Urbana, IL: University of Illinois Press.
MacLeod, Bruce A. 1993. Club Date Musicians: Playing the
New York Party Circuit. Urbana: University of Illinois Press.
ML3795 .M14 1993
Manuel, Peter. 2000. East Indian Music in the West Indies:
Tan-Singing, Chutney, and the Making of Indo-Caribbean
Culture. Philadelphia, PA: Temple University Press
McDaniel, Lorna. 1998. The Big Drum Ritual of Carriacou :
Praisesongs for Rememory of Flight. Gainesville: University
Press of Florida.
Mitchell, Frank. 1978. Blessingway Singer: The Autobiography
of Frank Mitchell, 1881-1967. Charlotte Frisbie and David
McAllester, eds. Tucson: University of Arizona Press.
Monson, Ingrid T. 1996. Saying Something: Jazz Improvisation
and Interaction. Chicago: University of Illinois Press.
Moyle, Richard M. 1986. Alyawarra Music: Songs and Society
in a Central Australian Community. Canberra: Australian
Institute of Aboriginal Studies.
Muller, Carol Ann. 1999. Rituals of Fertility and the Sacrifice
of Desire: Nazarite Women's Performance in South Africa.
Chicago: University of Chicago Press.
Myers, Helen. 1998. Music of Hindu Trinidad: Songs from the
India. Chicago and London: University of Chicago Press.
ML3565 .M94 1998
Nelson, Kristina. 1985. The Art of Reciting the Qur’an. Austin:
University of Texas Press.
Neuenfeldt, Karl. 1997. The Didjeridu: From Arnhem Land to
Internet. [Place]:John Libbey & Company
Neuman, Daniel M. 1980, 1990. The Life of Music in North
India: The Organization of an Artistic Tradition. Chicago:
University of Chicago Press.
Olsen, Dale A. 1996. Music of the Warao of Venezuela : Song
People of the Rain Forest. Gainesville: University Press of
Florida. ML3575.V3 O47 1996
Pegg, Carole. 2001. Mongolian Music, Dance, & Oral
Narrative: Performing Diverse Identities. Seattle: University of
Washington Press
Romero, Raœl R. 2001. Debating the Past: Music, Memory, and
Identity in the Andes. Oxford: Oxford University Press
Porter, James. 1995. Jeannie Robertson: Emergent Singer,
Transformative Voice. Knoxville: University of Tennessee
Press.
Qureshi, Regula Burckhardt. 1986. Sufi Music of India and
Pakistan: Sound, Context and Meaning in Qawwali. Chicago:
University of Chicago Press.
Reyes, Adelaida. 1999. Songs of the Caged, Songs of the Free:
Music and the Vietnamese Refugee Experience. Philadelphia:
Temple University Press. ML3560.V5 R49 1999
Rice, Timothy. 1994. May It Fill Your Soul: Experiencing
Bulgarian Music. Chicago: University of Chicago Press.
Roseman, Marina. 1991. Healing Sounds from the Malaysian
Rain Forest: Temiar Music and Medicine. Berkeley: University
of California Press.
Sakata, Hiromi Lorraine. 1983. Music in the Mind: The
Concepts of Music and Musician in Afghanistan. Kent, OH:
Kent State University Press.
Sarkissian, Margaret. 2000. D'Albuquerque's Children:
Performing Tradition in Malaysia's Portuguese Settlement.
Chicago: University of Chicago Press.
Shelemay, Kay Kaufman. 1998. Let Jasmine Rain Down: Song
and Remembrance among Syrian Jews. Chicago: University of
Chicago Press
Seeger, Anthony. 1987. Why Suya Sing: A Musical
Anthropology of an Amazonian People. Cambridge: Cambridge
University Press.
Stokes, Martin. 1992. The Arabesk Debate: Music and
Musicians in Modern Turkey. London: Clarendon Press.
Sutton, R. Anderson. 2002. Calling Back the Spirit: Music,
Dance, and Cultural Politics in Lowland South Sulawesi.
Oxford: Oxford University Press.
Thornton, Sarah. 1996. Club Cultures: Music, Media, and
Subcultural Capital. Middletown, CT: Wesleyan University
Press.
Turino, Thomas. 2000. Nationalist, Cosmopolitans, and Popular
Music in Zimbabwe. Chicago: University of Chicago Press.
ML3503.Z55 T87 2000
Velez, Maria Teresa. 2000. Drumming for the Gods: The Life
and Times of Felipe Garcia Villamil. Philadelphia, PA: Temple
University Press.
Wade, Peter. 2000. Music, Race, and Nation: Mœsica Tropical
in Colombia. Chicago: University of Chicago Press.
Waxer, Lise. 2002. The City of Musical Memory: Salsa, Record
Groove and Popular Culture in Cali, Columbia. Middletown,
CT: Wesleyan University Press.
Bibliography
Music Aesthetics:
Carl Dahlhaus, “Historical Starting Points” from Esthetics of Music .
Peter le Huray and James Day, “The Aesthetics of Romanticism” from their preface to Music and Aesthetics .
John Warrack, “Romanticism” from New Grove Dictionary of Music and Musicians .
Robert Schumann, “Aphorisms” from Music in the Western World
Lloyd Kaplan, “Igor Stravinsky” and “Retro-Classicism: Stravinsky and Milhaud” from Twentieth-Century Music . An Introduction .
Igor Stravinsky, “The Phenomenon of Music” from The Poetics of Music
Paul Griffiths, “Minimal Music” from Modern Music . The Avant-Garde Since 1945 .
Steven Reich, “Music as Gradual Process” and “Notes on Compositions 1965 - 1973” from Writings about Music .
Music Psychology:
Brown, Royal S. Overtones & Undertones. LA: UCLA, 1994.
Kendall, R. & Carterette, E. Cognitive Ecology. Orlando: Academic Press, 1996.
Meyer, Leonard B. Emotion and Meaning in Music. Chicago: U of Chicago P., 1956
Dowling, W.J. and Harwood, D.L. Music Cognition. Orlando: Academic Press, 1986
Modernity & Music:
Rice, Timothy. 2003. “Time, Space, and Metaphor in Musical
Experience and Ethnography.” Ethnomusicology 47(2):
131-179.
Gilroy, Paul. 1993. The Black Atlantic: Modernity and Double
Consciousness. Cambridge, MA: Harvard University Press.
Erlmann, Veit. 1999. Music, modernity, and the global
imagination: South Africa and the West. New York: Oxford
University Press.
Lipsitz, George. 1994. Dangerous crossroads: popular music,
postmodernism, and the poetics of place. London: Verso.
Meintjes, Louise. 2003. Sound of Africa!: making music Zulu
in a South African studio. Durham, NC: Duke University Press.
Slobin, Mark. 1993. Subcultural Sounds: Micromusics of the
West. Hanover, NH: University Press of New England.
Taylor, Timothy D. 1997. Global Pop: World music, World
markets. New York: Routledge.
Turino, Thomas. 2000. Nationalist, Cosmopolitans, and Popular
Music in Zimbabwe. Chicago: University of Chicago Press.
Waxer, Lise. 2002. The City of Musical Memory: Salsa, Record
Groove and Popular Culture in Cali, Columbia. Middletown,
CT: Wesleyan University Press.
Globalization/Modernity/Postmodernity:
Appadurai, Arjun. 1996. Modernity at Large: Cultural
Dimensions of Globalization. Minneapolis, Minn., University of
Minnesota Press. Ch. 1: “Here and Now”: 3-23; Ch. 2:
“Disjuncture and difference in the Global Cultural economy”:
27-47; Ch. 3: “Global Ethnoscapes: Notes and Queries for a
transnational anthropology”: 48-64; Chapter 9: “The Production
of Locality”: 178-199.
Appadurai, Arjun. 2000. “Grassroots Globalization and the
Research Imagination,” Public Culture 12(1): 1-19.
Clifford, James. 1997. Routes : Travel and Translation in the
Late Twentieth Century. Cambridge, MA: Harvard University
Press. Ch. 1: “Traveling Cultures,” pp. 1-46.
Jameson, Fredric. 1991. Postmodernism, or, The cultural logic
of late capitalism. Durham, NC: Duke University Press.
Introduction, ix-xxii; Ch. 1, “The Cultural Logic of Late
Capitalism”: 1-54; Ch. 2, “Theories of the Postmodern”: 55-66.
Marcus, George E. 1998. Ethnography through thick and thin.
Princeton, NJ: Princeton University Press. Introduction,
“Anthropology on the Move”: 3-29; Ch. 3, “Ethnography in/of
the World System”: 79-104; Ch. 8, “On Ideologies of
Reflexivity in Contemporary Efforts to Remake the Human
Sciences”: 181-202.
Roseman, Marina. 2000. “Shifting Landscapes: Musical
Mediations of Modernity in the Malaysian Rainforest.”
Yearbook for Traditional Music 32: 31-65.
Sassen, Saskia. 1998. Globalization and its discontents: essays
on the new mobility of people and money. New York: New
Press. Ch. 5: “Toward a Feminist Analytics of the Global
Economy”: 81-109; Ch. 9, “Electronic Space and Power”:
177-194; Ch. 10, “The State and the Global City: Notes toward
a Conception of Place-Centered Governance”: 195-218.
Sassen, Saskia. 2000. “Spatialities and Temporalities of the
Global: Elements for Theorization.” Public Culture 12(1):
215-232.
Self and Subject:
Giddens, Anthony. 1991. Modernity and Self-identity: Self and
Society in the Late Modern Age. Stanford, CA: Stanford
University Press. Introduction: 1-9; Ch. 1: “The contours of
high modernity”: 10-34; Ch. 2: “The self: ontological security
and existential anxiety”: 35-69; Ch. 3: “The trajectory of the
self”: 70-108.
Ochs, Elinor and Lisa Capps. 1996. “Narrating the Self.”
Annual Review of Anthropology 25: 19-43.
Stock, Jonathan P.J. 2001. “Toward an Ethnomusicology of the
Individual, or Biographical Writing in Ethnomusicology.” The
World of Music 43(1): 5-19.
Wachsmann, Klaus. 1982. “The Changeability of Musical
Experience.” Ethnomusicology 26(2): 197-215.
Cohen, Anthony P. 1994 Self consciousness: an alternative
anthropology of identity. London: Routledge. Ch. 1, “ The
Neglected Self: Anthropological Traditions”: 1-22; Ch. 7:
“Individualism, Individuality, Selfhood”: 168-192.
Rose, Nikolas. “Assembing the Modern Self.” In Roy Porter,
ed. Rewriting the Self: Histories from the Renaissance to the
Present. New York: Routledge.
World Music:
Erlmann, Veit. 1993. “The Politics and Aesthetics of
Transnational Musics.” The World of Music 35(2): 3-15.
Erlman, Veit. 1994. "’Africa Civilized, Africa Uncivilized’:
Local Culture, World System and South Africa." South African
Journal of Musicology 14:1-14.
Feld, Steven. 1995. “From Schizophonia to Schismogenesis:
The Discourses and Practices of World Music and World Beat.”
In George E. Marcus and Fred R. Myers, eds. The Traffic in
Culture: Refiguring Arts and Anthropology. Berkeley:
University of California Press, pp. 96-126.
Feld, Steven. 2000. “A Sweet Lullaby for World Music.” Public
Culture 12(1): 145-171.
Guilbault, Jocelyne. 1997. “Interpreting World Music: A
Challenge in Theory and Practice.” Popular Music 16(1): 31-44.
Langois, Tony. 1996. "The Local and the Global in North
African Popular Music." Popular Music 15(3):259-273.
Meintjes, Louise. 1990. “Paul Simon’s Graceland, South Africa,
and the Mediation of Musical Meaning.” Ethnomusicology
34(1): 37-73.
Monson, Ingrid. 1999. “Riffs, Repetition, and Theories of
Globalization.” Ethnomusicology 43(1): 31-65.
Time:
Munn, Nancy D. 1992. “The Cultural Anthropology of Time: A
Critical Essay.” Annual Review of Anthropology 21: 93-123.
Huyssen, Andreas. 2000. “Present Pasts: Media, Politics,
Amnesia.” Public Culture 12(1): 21-38.
Location/space/place:
Soja, Edward W. 1989. Postmodern Geographies: The
Reassertion of Space in Critical Social Theory. London: Verso.
Preface and Postscript”: 1-8; Ch. 1,
“History:Geography:Modernity”: 9-22; Ch. 5, “Reassertions:
Towards a spatialized ontology”: 119-137; Ch. 6,
“Spatializations: a critique of the Giddensian version”: 139-156.
Anthropology of Music:
John Blacking, How Musical Is Man?. Seattle: University of
Washington Press. 1973
Nicholas Dirks, Geoff Eley, and Sherry B. Ortner (editors)
Culture/Power/History: A Reader in Contemporary Social
Theory. Princeton: Princeton University Press. 1994
Keila Diehl, Echoes from Dharamsala, Music in the Life of a
Tibetan Refugee Community. Berkeley and Los Angeles:
University of California Press 2002.
Alan Merriam, The Anthropology of Music. Evanston:
Northwestern University Press. 1964.
Robert A. Nisbet, The Sociological Tradition. New York: Basic
Books. 1966
Karl Marx, The Eighteenth Brummaire of Louis Bonaparte, first five pages with special attention to the first paragraphs and The Communist Manifesto Part I (Bourgeois and Proletarians) with attention to the footnotes. Any translation of these is OK.
Emile Durkheim, The Elementary Forms of the Religious Life
(any edition), Introduction by Durkheim; Book 1 chapter 1;
Book 2 chapters 1, 5, 6, 7.
Marcel Mauss, The Gift, any edition, chapters 1 and 4 (first and last).
Bronislaw Malinowski, Argonauts of the Western Pacific,
“Introduction” (pp. 1-24 in my edition) and George Stocking, “The Ethnographer’s Magic: Fieldwork in British Anthropology from Tylor to Malinowski.” IN Stocking, George (ed.)
Observers Observed: Essays on Ethnographic Fieldwork.
University of Wisconsin Press, 1983 pp. 70-121
Franz Boas “The Limitations of the Comparative Method of
Anthropology (1896), and “The Methods of Ethnology.” IN
Boas, Franz, Race, Language and Culture, Pp. 270-294 and
George Stocking, “The Scientific Reaction Against Cultural
Anthropology, 1917-1920” IN Stocking, George, Race, Culture and Evolution, Free Press. Pp. 270-307.
Max Weber, The Protestant Ethic and the Spirit
Ethnography of Music:
Waterman, Christopher Alan. 1990. Juju:A Social History and Ethnography of an African Popular Music. Chicago: University of Chicago Press.
Turino, Thomas. 1993. Moving Away from Silence: Music of the Peruvian Altiplano and the Experience of Urban Migration. Chicago: University of Chicago Press.
Hagedorn, Katherine J. 2001. Divine Utterance: The Performance of Afro-Cuban Santer’a. Washington, D.C.: Smithsonian Institution Press
Reily, Suzel. 2002. Voices of the Magi: Enchanted Journeys in Southeast Brazil. Chicago: University of Chicago Press.
List of Musical Ethnographies, 1978-2002
Agawu, Kofi. 1995. African Rhythm: A Northern Ewe
Perspective. London: Cambridge University Press.
Askew, Kelly. 2002. Performing the Nation: Swahili Music and
Cultural Politics in Tanzania. Chicago: University of Chicago
Press.
Austerlitz, Paul. 1996. Merengue: Dominican Music and
Dominican Identity. Philadelphia, PA: Temple University Press.
Averill, Gage. 1997. A Day for the Hunter, a Day or the Prey:
Popular Music and Power in Haiti. Chicago: University of
Chicago Press.
Berliner, Paul F. 1978, 1991. The Soul of Mbira: Music and
Traditions of the Shona People of Zimbabwe. Chicago:
University of Chicago Press. ML350 .B47
Berliner, Paul F. 1994. Thinking in Jazz: The Infinite Art of
Improvisation. Chicago: University of Chicago Press.
Berrian, Brenda F. 2000. Awakening Spaces: French Caribbean
Popular Songs, Music, and Culture. Chicago: University of
Chicago Press.
Besmer, Fremont. 1983. Horses, Musicians, and Gods: The
Hausa Cult of Possession-Trance. South Hadley, MA: Bergin
and Garvey. BL2480.H3 B47 1983
Chernoff, John Miller. 1979. African Rhythm and African
Sensibility: Aesthetics and Social Action in African Musical
Idioms. Chicago: University of Chicago Press. ML3760 .C48
Charry, Eric. 2000. Mande Music: Traditional and Modern
Music of the Maninka and Mandinka of Western Africa.
Chicago: University of Chicago Press.
Dunn, Christopher. 2001. Brutality Garden: Tropicalia and the
Emergence of a Brazilian Counterculture. [place]: North
Carolina University Press
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1 Comments:
Love the comprehensive and fantastic list--thank you Kris, I shall be returning....
Life's Force,
Scott
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